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THE STROKES - COMEDOWN MACHINE (ALBUM)


Cover

TRACKS
22.03.2013
CD RCA 88765455792 (Sony) / EAN 0887654557926
22.03.2013
LP RCA 88765455791 (Sony) / EAN 0887654557919
1. Tap Out
3:42
2. All The Time
3:01
3. One Way Trigger
4:02
4. Welcome To Japan
3:50
5. 80s Comedown Machine
4:58
6. 50/50
2:43
7. Slow Animals
4:20
8. Partners In Crime
3:21
9. Chances
3:36
10. Happy Ending
2:52
11. Call It Fate, Call It Karma
3:24
   

MUSIC DIRECTORY
The StrokesThe Strokes: Discographie / Fan werden
SONGS VON THE STROKES
12:51
15 Minutes
50/50
80s Comedown Machine
All The Time
Alone, Together
Ask Me Anything
Automatic Stop
Barely Legal
Between Love & Hate
Call It Fate, Call It Karma
Call Me Back
Chances
Clear Skies
Drag Queen
Electricityscape
Evening Sun
Fear Of Sleep
Games
Gratisfaction
Happy Ending
Hard To Explain
Hawaii
Heart In A Cage
I Can't Win
Is This It
Ize Of The World
Juicebox
Killing Lies
Last Nite
Life Is Simple In The Moonlight
Life's A Gas
Machu Picchu
Meet Me In The Bathroom
Mercy Mercy Me (The Ecology) (The Strokes feat. Eddie Vedder and Josh Homme)
Metabolism
Modern Girls & Old Fashioned Men (The Strokes feat. Regina Spektor)
New York City Cops
Oblivius
Obstinate
On The Other Side
One Way Trigger
Partners In Crime
Razorblade
Red Light
Reptilia
Slow Animals
Soma
Someday
Take It Or Leave It
Taken For A Fool
Tap Out
The End Has No End
The Modern Age
The Way It Is
Threat Of Joy
Trying Your Luck
Two Kinds Of Happiness
Under Control
Under Cover Of Darkness
Vision Of Division
Welcome To Japan
What Ever Happened?
When It Started
You Only Live Once
You Talk Way Too Much
You're So Right
ALBEN VON THE STROKES
Angles
Comedown Machine
First Impressions Of Earth
Future Present Past EP
Is This It
Room On Fire
 
REVIEWS
Durchschnittliche Bewertung: 4 (Reviews: 2)
Nur die deutschen und englischen Reviews werden angezeigt: Alle anzeigen
****
After four albums of not much variation in sound, something like this was bound to happen sooner or later. Sure, it doesn't change too much but it's enough to distinguish it from their previous material easily. Moments like 'Partners In Crime' and 'One Way Trigger' certainly are better than others, and while there's nothing bad, it's not all of that consistency that is so idiosyncratic with The Strokes. Additionally, it's lacking a standout along the lines of 'Reptilia', 'Last Nite', 'Juicebox' or even 'Under Cover of Darkness'. It's cool and it deserves attention, but I wouldn't go as far as to suggest it's better than any of their previous four. 4.25*
****
It's not crazily different to what I've heard from them before but there's quite a bit here to provide an interesting point of difference. It doesn't always work for me as well as their more traditional sound has, but this is a generally cool and enjoyable album.
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